First, start with a clever script. It should be witty, but not
too obvious. Make it dark. That young, hipster-art crowd likes it when you make it dark. Almost for sure
you can get away with making a total piece of crap, as long as it is witty and dark. Always remember, the 18-34 year
old demographic is all that matters, when it comes to deciding whether it is crap or not.
Next, cast Michael Gambino as "Joe" and Hans Fleishmann as "Cyd."
They are a couple of swell guys. They know how to help you make it witty and dark. The hip-hop crowd refers
to this process as, "keeping it real."
Now find a guy like Mike Trice to run camera, Stephanie Holloway for
audio, John Ceperich as your grip, and Jason Scovel as the gaffer. Jason doesn't seem to mind if you refer to him as,
"Tummy."
Now, shoot your Scene 8 on a beautiful, early April afternoon-- the type
you might experience in a town like Chicago, Illinois. Shoot it on a Canon XL1. Don't be afraid to use a wide
angel lens, with the f-stop at 4 and a shutter speed of 1/1700. On beautiful, early April afternoons, you may find it
is uselful to use a UV filter, a Circular Polarizing filter (for that beautiful, early April blue sky), and a Neutral Density
6 filter. Don't hesitate to let Mike and Hans improvise. They really are swell guys, you know.
You will probably need to steal the shot in a junk yard somewhere, as
us witty and dark types seldom have the time (or the money) to apply for a proper shooting permit. Mayor Daley
doesn't really mind. He's got bigger fish to fry.
Finally, get Brian Kallies to edit your Scene 8. You may
find it beneficial to the integrity of your scene to give Brian very specific instructions. Shoot slates and log
your timecodes, so that he doesn't get all carried away with that whole annoying, "creativity" thing. Learn to make
the editor your slave. It's more fun that way!